Sunday, March 6, 2016

The Caravan





Terakaft (meaning "caravan" in Tamasheq) is a genuine desert rock band, sculpted by the pure searing air and the endless rolling sands of the Sahara.
The stark, harsh conditions of the Sahara have permeated their wild riffs, and as a result Terakaft are the perfect embodiment of all that is wild and free in desert blues today. They have taken the electric guitar and made it their own.
Terakaft was formed in 2001 by Sanou Ag Ahmed, then based in Kidal, Mali with Kedou Ag Ossad. Kedou was a member of the original line-up of Tinariwen (four of Kedou’s compositions are embodied on their first international release "The Radio Tisdas Sessions").
Liya Ag Ablil (aka Diara), Sanou’s uncle, joined the band in 2006. Diara was also an original member of Tinariwen and was known for his fierce and passionate style of rock’n’roll guitar playing. He played with Tinariwen for almost 20 years, but stepped back just before Tinariwen started touring internationally. He’s still a close friend of Ibrahim "Abaraybone" Ag Alhabib, and played on Tinariwen’s last album "Imidiwan : Companions" (as did Sanou and Abdallah of Terakaft).
Terakaft recorded their first studio album "Bismilla, The Bko Sessions" in four days at the legendary Bogolan Studios in Bamako, Mali.







the Bko sessions


In a Bamako courtyard around 98, I heard a half whispered song on a broken guitar which entranced me. It led me, Philippe Brix and a few others to the Sahara desert to find where this music came from. Tuareg guitar - a looping groove, melancholy tune, a simplicity and a profundity - that called to mind the masters of the Delta, the spirit and defiance of the early Wailers, with a desert flavour between Gnawa trance and Ali Farka's serpentine swing. Tinariwen was a loose collective of originators, among them Diara, the master of the Saharan rhythm guitar. Together with Sanou, an archetypal Saharan cowboy, with Wah Wah Watson sideboards and full Rock and Roll attitude, they became Terakaft, guardians of the original Tuareg guitar.
 Justin Adams

Friday, February 12, 2016

Another Spear Day


it was tempting  to present another compilation in the same vein
[to melt some snows there and bring Spring closer]
this was a warm week of work ,fun,memories and rediscoveries
the result is here,sure I enjoyed greatly doing it ,hope you will too while listening

1-Thione Seck-Momy.
2-Hadja Kouyaté-Kelenko
3-Bougouniere Diarra Sanogo-Pinia Mi You
4-Hedzoleh Soundz-Hearts Ne Kotoko
5-The Don Isaac Ezekiel Combination-Amalinja.
6-Bwazan-An Ka Foli Ke.
7-Massaran Tènin Kouyaté -Fourou
8-Le Simandou de Beyla -Festival
9-Terakaft-Aпma Ymaпma
10-Orchestre Poly-Rythmo De Cotonou- Karateka
11-Thomas Mapfumo-Hwahwa (Beer Barrel Polka)
12-Mbaraka Mwinshehe & The Morogoro Jazz Band - Sululu Ya Moro
13-Kaniba Oule Kouyaté-Kouilounikou
14-Ensemble Lyrique Traditionnel & Moussa Ngom-Senegambia
15- International Orchestra Safari Sound - Homa Imenizidia
16-Ouza et Le Nobel-Diriyankee
17-Dumisani Maraire-Yuwi Maiwe

Spear Another Day

+ the one left out :
L'Orchestre Kanaga de Mopti-N'do N'do


*

Saturday, January 30, 2016

a Spear Day


that was a necessary rehab ,oh well ...
for  now ,music that the world must listen without another delay :)
Classic tracks to celebrate everything nice that  life is offering us
[constantly and abundantly]....enjoy


01-Binta Laly Sow-Super laly
02-Bonga -Dia kandumba
03-Vijana Jazz Band- Ujirani Mwema 
04-Jeff Louna-Paulina Mineure
05-Mamou Sidibé- Musoya
06-Myrian Makenwa - Amampondo.
07-Armand Pascal Lido & L'Ivoiro Star-Dogbo Zo N'Wene
08 -Captain Yaba- Tedose
09 -Sadio Sidibé- Soninko
10-Moussa Ngom-Bakann Bi
11-Babani Kone -Badoua Den
12-Totó La Momposina & Djanka Diabate -Mami Wata
13-Ebo Taylor-Maye omama
14-Zaida Chongo-Miela Ncata
15-Tchinina-Canga Té
16-Lia De Itamaraca - Nagô, Nagô
17-Super Diamono de Dakar-Faleme
18-Baaba Maal-Baaba


Spear a Day

+ the one that didn't make it to the file

Baaba Maal-Seydou Nourou Ba


Thursday, July 16, 2015

à Bako Dagnon

a farewell to Bako 


Née en 1953 à Golobladji, au Sud-Ouest du Mali, dans le cercle de Kita, un berceau important de la culture mandingue, Bako Dagnon a mémorisé les histoires et traditions musicales de son pays, au point qu’elle est devenue une sorte de gardienne du temple, des secrets les mieux gardés du vaste empire mandingue. Elle a 19 ans quand elle a été remarquée pour la première fois lors de la Biennale de la Jeunesse de Bamako (1972). Créées par le premier président du Mali indépendant, Modibo Keita, les biennales étaient un véritable creuset d’expression des multiples traditions culturelles du pays et un lieu de révélation de talents


also
local tape /date unknown :


Bako live 



à Sékou Touré , le guide de la  revolution