Thursday, September 19, 2013

Amadou Kienou et Ensemble Foteban-Taabali


"The djembe is not only a musical instrument,but an instrument we live with,
and through it we can express our emotions” Amadou says.

Born in Ouagadougou,Burkina Faso, Amadou Kienou is the seventh son in a family of praise singers
of Dafing origin,a nomad tribe that settled down
 during the time of the Mandingue Empire.
Praise singers from father to son,the Kienou are renowned and very popular professional dancers
and musicians in Burkina Faso.
Amadou has been initiated in music within his family,mostly by his father,the late Baba Kienou,
a distinguished and famous djeli
who brought his personal touch to big national and cultural events like the Djandjoba,in the sixties
and young Amadou learned to play by his side,most of the traditional instruments:the djembé,the balafon,the doundoun,the tama and the n'goni.

Amadou Kienou from 1986 on,became the main percussionist of the "Ensemble Instrumental du Burkina Faso",then in 1988 of the Wande company of Moussognouma Kouyate and next year he joined "Ensemble Artistique de Désiré Bonogo"
During the mid-90's he was also a member of the contemporary dance company " Salia n' Seydou" under the direction
of choreographer Salia Sanou and as musician-narrator in the "Fa Djiri Lolo-Théâtre" company.
In '95 he founded his own group " Amadou Kienou et l' Ensemble Fôteban" ,
with brothers,sisters and cousins musicians and dancers from the extended Kienou family:
Oumar Kienou, Issoufou Kiénou, Dramane Konate, Dara Sanou,Salimata Kienou,Korotimi Ina Kienou.



dancing with the Kienou family
Taabali




Saturday, September 14, 2013

Mah Kouyate (n°2) & Madou Camara



hello again 
djeliya and spoken word on a magic carpet woven with ngoni and guitars
from one of the greats,Cheick Fantamadi Diabaté dit Fimani,
with Adama Kouyaté djembe and Drissa Diabaté on kora....bliss

*Salimou*


thanks RB

Tuesday, August 20, 2013

Mansane Cisse



electric versions and even more kora versions of the wonderful theme of  Mansane Cisse
a universal tale of love and betrayal ,witchcraft and death, in song

i read in tp africa  :
"There was  a fisherman named Bakari. His young wife runs always for money to Mansane Cisse,a rich merchant  while her husband was fishing on the river. Bakari decides to contact a marabout and thanks to his powers and witchcrafts, patron Cisse dies the same night in which he consumes the first passion night together with the lady, who will also die after him. The nobles in the village ask Bakari to accompany them on the other bank of the river where the tragedy had just taken place. In the middle of the river Bakari stops his pinasse and asks the griot who was there for the nobles, to sing a song about his story. This song was in fact Mansane Cisse the story of a rich and powerful man who was living in the illusion of being able to obtain whatever he wanted thanks to his richness and about a poor fisherman who is redeemed and enters the collective conscience of the people."


13 versions (at_hand) collected 

01-Mama Sissoko-Manssane Cisse
02-Kandia Sory Kouyate- Massane Cisse
03-Sura Susso- Massaneh Cessay
04-Djiguiba Cissoko-Mansane Cisse
05-Super Diamono de Dakar-Mansani Cisse (Instrumental)
06-Papa Susso & Tamba Susso-Mansane Cisse
07-Vieux Diop-Manzani
08-Lalo Keba Drame - Mansane Cisse
09-Kaloum Star-Mansane Cisse
10-Miriam Makeba's Quintette Guinéenne-Mansane Cisse
11-Idrissa Diop & Cheikh Tidiane Tall-Massani Cissé
12-Orchestre  Baobab Gouye Gui De Dakar-Mansane Cisse
13-Mangala Camara - Mansane Cisse


new link 11/6/15
Mansane Cisse


*

Sunday, August 18, 2013

Kamalan N'Goni,Dozon N'Goni




Alou Fane's Fote Mocoba that were

Alou Fané-chant, percussion 
Daouda 'Flani' Sangaré -chant 
Zoumana Diarra-guitar, balafon 
Abou Camara -chant, guitar, percussion 
Djourou Diallo-flute



updated
Kamalan N'Goni


*

Friday, August 16, 2013

African Love Supreme-Ode to the Living Tree



east American to the west African coast  
travel  to the living tree for Andrew Cyrille and his Quintet 

A vital and very much underrated percussionist and bandleader, Cyrille, of Haitian  descent,
always brings a sense of the Motherland to his music, 
whether exploring free landscapes, or structured outings like most on this date.
Apropos this was recorded in Dakar, Senegal during an African sojourn.
The band is a robust assemblage of  David Murray on tenor sax and bass clarinet,
Oliver Lake on alto sax, keyboardist Adegoke Steve Colson, bassist Fred Hopkins
and guest Senegalese percussionist Mor Thiam on two tracks.
There is a feeling of Trane meets Sun Ra at the corner of Murray & Lake on this date
 as the spirits of those two grand masters are in the air.
 The session invocation is a Cyrille percussion duet with Thiam,
 and the two close with the benediction "Water, Water, Water." 
In between the Trane roars down the tracks courtesy
 of the "Acknowledgment" and "Resolution" sections of "A Love Supreme,"
 and swinging business is dealt with on J.C.'s "Mr. P.C." 
The title track invokes the spirit of Ra, made all the more resonant 
by Colson's eerie use of electric keyboard.

Willard Jenkins





Andrew Cyrille -drums, cymbals
David Murray-bass clarinet, tenor saxophone
Oliver Lake-alto saxophone
Adegoke Steve Colson -electric piano
Mor Thiam-percussion


Recorded 18 & 19/12/1994 at XIPPI Studio, Dakar, Senegal