tag:blogger.com,1999:blog-2398179801310069472024-03-14T21:44:27.471-07:00the Spearnaumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.comBlogger240125tag:blogger.com,1999:blog-239817980131006947.post-3934788237889148522018-03-22T11:33:00.000-07:002018-03-22T11:33:26.461-07:00Bernard RUJINDIRI master of the Inanga<br />
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RUJINDIRI was born around 1900 from a TWA mother in Munanira (Masango-Gitarama) and at <br />
the time of this recording in 1974 residing on the hill Mbati (Mugina-Gitarama). He stayed regularly at the court of Mwami MUSINGA and RUDAHIGWA and made music for the pleasure of the king and his entourage or when dignitaries paid a visit. He was rewarded on the day of his departure with a cow and a little money.<br />
Most of his repertory dates from the period of RWABUGIRI and was composed to celebrate his war victories. RUJINDIRI mentioned such names as RUDAKEMWA, KARIRA, RUKA- RAMANZI and GICUNATIRO as important "historical" inanga composers, all of whom were at the time staying at the court of Mwami RWABUGIRI.<br />
RUJINDIRI himself learnt his repertory from his father MAHWEHWE (born during the reign of RWOGERA, and died around 1920), who in turn was a student of GICUNATIRO. Other renown zither players since deceased are KISIRIBOBO, SEGIKWIYE, RUZAMBA, RUTANGIRA and SEBATUNZI.<br />
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The old Inanga repertory that evoked that history of the kingdom virtually disappeared during the period which followed the toppling of the monarchy and the installation of the Republic. And this accentuated once again the historical and cultural value of RUJINDIRI'S repertory.<br />
Since then, the textual content of the inanga repertory has changed radically and today consists of themes which extol the qualities of the political authorities (national and local) and celebrate incidents from the daily life on the hills. <br />
Whereas in earlier times inanga music was the privilege of TUTSI, today inanga players can be found among both the TUTSI and the HUTU. <br />
The oldest and most characteristic songs accompanied on the Inanga date from the time of the monarchy. According to the oral tradition, this inanga music existed already at the time of YUHI III MAZIMPAKA (1700-1730). Earlier, inanga music was performed by the ruling TUTSI class; it sang historical events, the heroic deeds of warriors, and the wisdom, courage and generosity of the king. In this way, the textual content<br />
accompaniment. From this he builds up his own repertory, based on melodies and texts of his own <br />
composition as well as of songs learnt from the master or other famous inanga players, to which he gives a personal touch.<br />
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Traditionally, inanga music is performed by a singer-instrumentalist who accompanies himself on the zither. The performance technique of RUJINDIRI differs from the traditional style, since he performs an important part of his repertory himself, accompanied by two vocal accompanists, SEMAHE and NYIRASHIRAMBE. In general, the music of RUJINDIRI is characterised by a tempo giusto alternating with a tempo rubato when the textual content requires it. This gives a very melodic character to this narrative music in which the accompanying function of the inanga shows up extremely well. His songs are made out of successive strophes, which are usually distinguished from each other by an instrumental interlude.<br />
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Furthermore, he enriches his music by adding a melodic hum at the beginning of the song, by gracing a few notes, by beating an additional rhythm on the resonance-box and by a recitative style in some passages. This latter characteristic is found in tracks 3 and 10, where he recites the text in the traditional style of the ibyivugo,a literary genre originating from the TUTSI culture, whereby the singer recites the heroic of the king, the chiefs, the warriors and sometimes also himself. Some see this as an indication that inanga music could probably have originated from ibyivugo. Initially recited and accompanied by the inanga, these texts must were given a melody at a later time. A similar phenomenon seems to have occurred with the pastoral poetry amahamba and the dynastic poetry igisigo, that recited as well as sung versions exist even today.<br />
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<a href="http://www113.zippyshare.com/v/hw3LwUiJ/file.html" target="_blank"> Inanga</a></div>
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*naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com2tag:blogger.com,1999:blog-239817980131006947.post-53097345125205364632018-02-24T12:09:00.002-08:002018-02-24T12:09:43.093-08:00Philip Tabane-The Indigenous Afro-Jazz Sounds<div class="separator" style="clear: both; text-align: center;">
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<br /><br />These are the indigenous Afro-Jazz Sounds of The Genius,Philip Tabane-the original Malombo Jazzman.<br />It started in 1964,at Orlando Stadium,when Philip went on stage,leading his group-The Malombo Jazzmen.<br />On that Saturday afternoon,South Africa was staging it's third Jazz Festival.Philip and his group<br />walked away with all the honours.<br />Malombo Jazz-music was introduced for the first time that year.This group,started up as a trio<br />and consisted of Flute,Guitar and Drums.<br />Philip has now parted company with the other two members,and today he plays<br />alongside a youmg drummer by the name of Gabriel "Sonnyboy" Thobejane.<br />This young man is tremendously versatile and plays the Thumb Piano known as "Dipela" in Northen Sotho,and Drums.<br />On this LP Philip plays Guitar, Penny Whistle and Drums.Listen to the way Philip plays<br />the Penny Whistle and Drums on "Dithaberg".<br />His inherent feel and the knowledge of the instuments can quite obviously be heard.<br />Mastery to say the least!He sings about his sister's child on "Ke Utilwile",meaning "I've had Enough".<br />Sit back ,relax and absorb the vocal and instrumental artistry of Philip Tabane.<br />
<br /><i>Ray Nkwe-president of the Jazz Appreciation Society of South Africa.</i><br />1969<br /><br /><br /><a href="http://www77.zippyshare.com/v/4qCcJ8ag/file.html" target="_blank">Ke Utilwile</a><br />
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<br />naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com3tag:blogger.com,1999:blog-239817980131006947.post-26794001363657626152018-02-05T13:28:00.000-08:002018-02-05T13:28:19.052-08:00Ali Touré dit Farka<div class="separator" style="clear: both; text-align: center;">
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<span style="color: orange;"><a href="http://www77.zippyshare.com/v/ztbsCxge/file.html" target="_blank">***** </a></span><br />
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<i>to me blue is just a color. </i><br />
<i>My music came long before the blues was born</i><br />
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<br />naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com6tag:blogger.com,1999:blog-239817980131006947.post-36250346507583948712018-01-31T12:20:00.002-08:002018-01-31T12:20:29.289-08:00Moon...<div class="separator" style="clear: both; text-align: center;">
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<span style="color: orange;"><a href="http://www12.zippyshare.com/v/VgcmYS77/file.html" target="_blank">,,,,,Smile</a></span></div>
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naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com1tag:blogger.com,1999:blog-239817980131006947.post-2503125339600273552018-01-28T13:23:00.001-08:002019-01-05T08:42:13.317-08:00 Bajourou<div class="separator" style="clear: both; text-align: center;">
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<a href="https://en.wikipedia.org/wiki/Djelimady_Tounkara" target="_blank">Djelimady Tounkara</a> and <a href="https://en.wikipedia.org/wiki/Bouba_Sacko" target="_blank">Bouba Sacko</a> met for once in Bamako in November 1992 <br />
Lafia Diabate former Rail Band singer and brother of Kassé Mady Diabaté<br />
came from Kela to add the voice<br />
their meeting was recorded directly in DAT by <a href="https://en.wikipedia.org/wiki/Ben_Mandelson" target="_blank">Ben Mandelson </a><br />
the result,prime Mande guitar music was Bajourou ,the big Sound<br />
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<a href="https://www44.zippyshare.com/v/pln3r6uj/file.html">Bajourou</a><br />
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<iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube-nocookie.com/embed/dnuDHdK1w5o?rel=0" width="560"></iframe>naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com7tag:blogger.com,1999:blog-239817980131006947.post-77662342742568390882018-01-11T11:25:00.000-08:002018-01-11T11:25:17.496-08:00Sona Diabaté<div class="separator" style="clear: both; text-align: center;">
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<br /><br />Née en 1959 à Tiro, en Guinée, l’auteure-compositrice, guitariste, balafoniste et chanteuse, Sona Diabaté, propose un afro-folk tiré de la musique mandingue, intégrant du folk, du blues, et tantôt de la pop ou de l’afro-cubain. Elle est aussi membre fondateur de l’Orchestre Féminin de la Gendarmerie Nationale de Guinée devenu Les Amazones de Guinée, première formation féminine d’Afrique de l’Ouest, fondée en 1961 par la volonté du président Ahmed Sékou Touré (1922-1984) et sous l’impulsion de Keïta Fodéba. <br />Fille de l’immense chanteur, balafoniste et ex Directeur de l’Ensemble Instrumental de Guinée, El’Hadj Djéli Fodé Diabaté, qui lui transmet l’héritage griottique familial et lui apprend le chant et le balafon, Sona Diabaté est la sœur de Sayon Diabaté et de Sékou Diabaté dit “Diamond Fingers”, légendaire guitariste du Bembeya Jazz qui lui donne goût à la guitare.<br />
<a href="http://www.afrisson.com/Nago-Seck-1109.html" target="_blank"><i>Nago Seck</i></a><br /><br />
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<a href="http://www2.zippyshare.com/v/XaFiorXY/file.html" target="_blank">SLP77</a></div>
naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com3tag:blogger.com,1999:blog-239817980131006947.post-57500821213618371152017-12-28T07:00:00.000-08:002017-12-28T07:00:04.380-08:00grand papa diabaté<div class="separator" style="clear: both; text-align: center;">
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"In the late 1950s, as most African nations were gaining their political independence, Papa Diabate (born in Faranah, Guinea, 1936) was developing a new single-note style of African guitar playing based on using a plectrum rather than the thumb and index finger technique used throughout Africa.<br />
Having learned his scales and other European musical techniques at the conservatory of music in Dakar,<br />
Papa set about merging those techniques with Guinean music to create an original guitar style that could cut through and help power the brass-based dance orchestras that were on the rise. <br />
He may indeed have been the first of his generation in Guinea to play the electric guitar. Certainly he was the most prominent.<br />
The list of electric guitarists who cite him as their inspiration and teacher includes the best that Guinea had to offer in the 1960s and 70s: Manfila Kante, who ended up in Mali co-leading Les Ambassadeurs with vocalist Salif Keita, Sekou “Bembeya” Diabate of Bembeya Jazz , and Papa’s younger brother Sekou “Docteur” Diabate, who was the soloist with Bala et ses Balladins. <br />
Although Papa Diabate trained the initial generation of Guinean electric guitarists, he himself rarely recorded commercially in his early years."<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtaPmEEyVqDS8OpJv50kwo8mUdOMiDeeGSknmlpJKvLBJaOjJXcThJhkn3HbbSdc6xJRdg2yOHtoC-XtrJtL8P_KtLh5YxDCpAUOvH-CHxPbfLYGPKC8XALNi83LyXIE_CsaP6JFVXWVk/s1600/guitarextra.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="491" data-original-width="500" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtaPmEEyVqDS8OpJv50kwo8mUdOMiDeeGSknmlpJKvLBJaOjJXcThJhkn3HbbSdc6xJRdg2yOHtoC-XtrJtL8P_KtLh5YxDCpAUOvH-CHxPbfLYGPKC8XALNi83LyXIE_CsaP6JFVXWVk/s320/guitarextra.jpg" width="320" /></a></div>
<br />
Grand Papa Diabaté here, is accompanied by Moriken Kouyate ,Bakary Kanté,Kante
Manfila,Djessou Mory Kanté, and the sublime Sona Diabaté on vocals.<br />
<br />
<i><a href="http://www4.zippyshare.com/v/qfUKgKPD/file.html" target="_blank"> guitar,extra dry</a></i><br />
<br />
<br />
bonus track:<br />
<i><a href="http://www4.zippyshare.com/v/YPa62UuC/file.html" target="_blank">Papa & Sekou Diabaté - Les virtuoses Diabaté</a></i><br />
<br />
<br />
<br />
<iframe allow="encrypted-media" allowfullscreen="" frameborder="0" gesture="media" height="315" src="https://www.youtube.com/embed/4LbL2wDcC8o?rel=0&showinfo=0" width="560"></iframe>naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com4tag:blogger.com,1999:blog-239817980131006947.post-58160749135051258202017-12-06T10:45:00.003-08:002017-12-06T10:45:58.290-08:00Mtoto Si Nguo<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3-llqBFsikyA1gWBxIO9RMAQ8Y6V7RLoK3f6GCgwUlsJL16cMtlZCcygg-vifT2b0sjOSDg5_AeBuv0Aq80sqFXIBmESF_HCFzAcoS4SWEQj8CpBWl9JjmThRN-nmMTraY52ex7WkXTw/s1600/MSN.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="486" data-original-width="500" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3-llqBFsikyA1gWBxIO9RMAQ8Y6V7RLoK3f6GCgwUlsJL16cMtlZCcygg-vifT2b0sjOSDg5_AeBuv0Aq80sqFXIBmESF_HCFzAcoS4SWEQj8CpBWl9JjmThRN-nmMTraY52ex7WkXTw/s400/MSN.jpg" width="400" /></a></div>
<br />
Like Father...Like Son<br />
<span class="st">the only son,Johnstone Ouko Mukabi in the footsteps of his late father,</span><br />
<span class="st">the </span><span class="st">legendary guitarist <a href="https://en.wikipedia.org/wiki/George_Mukabi" target="_blank">George Mukabi</a></span><br />
two generations of classic Kenyan fingerstyle guitarists at their finest<br />
George Mukabi from the distant 1960 <br />
and <span class="st">Johnstone from the distant 1985</span><br />
utterly beautiful Music <br />
<br />
<br />
<br />
<a href="http://www91.zippyshare.com/v/TW9kwZLu/file.html" target="_blank">Mtoto Si Nguo</a>naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com3tag:blogger.com,1999:blog-239817980131006947.post-73036696400610380352017-11-30T07:59:00.000-08:002017-11-30T07:59:06.947-08:00The Nairobi Sound <br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLKcmbHsWtdwW2SNXyI45MNJH7CuP0ZutdA9SI-TgImM-HHiC-2JkNttZ0Levhis9ELTEf8Ky1hifiMNmCKtiUqxW3DHJy1h3qX0NVWiXQJodv5SQNlc56xABF2p9TK5s0tBEvaH2WZS8/s1600/img33.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="424" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLKcmbHsWtdwW2SNXyI45MNJH7CuP0ZutdA9SI-TgImM-HHiC-2JkNttZ0Levhis9ELTEf8Ky1hifiMNmCKtiUqxW3DHJy1h3qX0NVWiXQJodv5SQNlc56xABF2p9TK5s0tBEvaH2WZS8/s320/img33.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt52n9VDv7b7UT71umKHRGNVofHrlkToFQnQUgVtNEA_8P7M1FM9MwxqLrUCapmpxYjVxBfNLMtkrajHA60dyLk-JDsbJ4hRSZCzDo4se8QQIkYVd209rsjiwZqLkAfDhuXuqs7HzSwk4/s1600/imag44.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="226" data-original-width="450" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt52n9VDv7b7UT71umKHRGNVofHrlkToFQnQUgVtNEA_8P7M1FM9MwxqLrUCapmpxYjVxBfNLMtkrajHA60dyLk-JDsbJ4hRSZCzDo4se8QQIkYVd209rsjiwZqLkAfDhuXuqs7HzSwk4/s320/imag44.jpg" width="320" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_BJOgXYz2Xg0K4iVL1Q2t6qQxSpCU4uL2a1_PtAYHGJ2n6jKnADx3I4xrFEWMAGkyOkBEmNjNzGNUQV8f8o5e2KvzbX3n-1GMhvyksV0lA19jvJr6hl6PkWTmQrRfYAMjSH7iGHgZ-ZY/s1600/fadhili22.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="338" data-original-width="143" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_BJOgXYz2Xg0K4iVL1Q2t6qQxSpCU4uL2a1_PtAYHGJ2n6jKnADx3I4xrFEWMAGkyOkBEmNjNzGNUQV8f8o5e2KvzbX3n-1GMhvyksV0lA19jvJr6hl6PkWTmQrRfYAMjSH7iGHgZ-ZY/s320/fadhili22.jpg" width="135" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZzFK4F3yJ1M2LN3jR68PBXJcYTp-L9fb_rGNVq4BLW7Cfi5MyNyopUgeBLx-4nlaFgmshbUqKn7dL-c_ABllLX-7QuNVYHBvMhrl84qwFlTdmwA1MwG__HJdU7x3-FDkPjGItUM5KRok/s1600/IMG22.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="252" data-original-width="350" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZzFK4F3yJ1M2LN3jR68PBXJcYTp-L9fb_rGNVq4BLW7Cfi5MyNyopUgeBLx-4nlaFgmshbUqKn7dL-c_ABllLX-7QuNVYHBvMhrl84qwFlTdmwA1MwG__HJdU7x3-FDkPjGItUM5KRok/s320/IMG22.jpg" width="320" /></a>.....From this melting-pot of influences gradually emerged distinctively Kenyan finger- styles. In the towns, the influence of ‘Katangan’ styles, Latin American music, and two-guitar styles from Zaire were strongest. The rural finger-styles developed in parallel with the town styles, to some extent both feeding off, and feeding, the town music. The rural styles were less varied, less sophisticated, and less open to outside influences, being more strongly rooted in local traditions. The rural ‘Sukuti’ style, on the other hand, was more vigorous and more rhythmic than the town playing.<br />
Town-based guitarists tried their luck with the young but expanding record industry. They composed Swahili songs which were sold as singles to the urban working class. Many were straight love-songs, no different from those in any other type of popular music. Others commented on the changes that town life brings, warning for example against prostitutes. Themes such as the lack of work in Nairobi also began to be common, although political songs didn’t really emerge until the 1960’s.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXQ3KYm2mp8cddzKMhqJG-MD2Iob7Vuo1aONwaZEBd11aMYyuP163zuS7Ko4P5lbtOAXpPVdVl59jKDVrMBAkH15zfOboZqThT9ZQ7-R6KRBwYhu4OqrlBQjdS2KCABeVaWZEOG0p9yOw/s1600/img11.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="314" data-original-width="400" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXQ3KYm2mp8cddzKMhqJG-MD2Iob7Vuo1aONwaZEBd11aMYyuP163zuS7Ko4P5lbtOAXpPVdVl59jKDVrMBAkH15zfOboZqThT9ZQ7-R6KRBwYhu4OqrlBQjdS2KCABeVaWZEOG0p9yOw/s320/img11.jpg" width="320" /></a></div>
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<br />
Some rural finger-stylists like George Mukabi and William Osale also had success in the towns, providing Swahili versions of songs that they might sing in local languages back home. The appeal of their songs lay in the fact that many town dwellers had (and still have) strong links with the land, and the themes of these songs, often conservative and sometimes nostalgic, reminded them of the old values<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizJ69pE-irS46FrhCOmIrKGLqlv23ela6g4EDZV0ExFxlihSYqZZ56PH8EIFA62si83XrV-YR4wJofLrMX7JLwhisHvjkkp1LJcdQkOyUVSp-Jy1U_wOKx_tVdhU9cc4DPgCLXSODeXec/s1600/Kabaka%2526Tsotsi1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="428" data-original-width="289" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizJ69pE-irS46FrhCOmIrKGLqlv23ela6g4EDZV0ExFxlihSYqZZ56PH8EIFA62si83XrV-YR4wJofLrMX7JLwhisHvjkkp1LJcdQkOyUVSp-Jy1U_wOKx_tVdhU9cc4DPgCLXSODeXec/s320/Kabaka%2526Tsotsi1.jpg" width="216" /></a>During the 1950% guitarists in the country were often viewed by the authorities as trouble-makers, debauchees, and rebels. This view was shared by chiefs, the church, and the colonial administration alike: by everyone, in fact, except the ordinary people who liked the new music. To some extent this criticism could be applied to any musician who got mixed up with drink and trouble: and it was not difficult to find guitarists with exotic, dangerous life-styles. Many of Tobias Oyugi’s songs are about riotous behaviour, drunkenness, and arrests. George Mukabi met a violent end as the result of a quarrel with his wife’s family. However, it went further than this: the guitarists also represented a threatening kind of change.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoca6oOLCpjpIb68FnUoU4V-H44fMU2jojACsvyd8mZvUr7fvSumxOdIFIG1ET8wZOW3J8bXpDNzok5CwYbglnfBmI4Z9XZAl6d5xLWFVcM9h20269EAe3XYVTfB1YTIm_Tlf7pv-iO7M/s1600/OMA101.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoca6oOLCpjpIb68FnUoU4V-H44fMU2jojACsvyd8mZvUr7fvSumxOdIFIG1ET8wZOW3J8bXpDNzok5CwYbglnfBmI4Z9XZAl6d5xLWFVcM9h20269EAe3XYVTfB1YTIm_Tlf7pv-iO7M/s400/OMA101.jpg" width="400" /></a></div>
The typical Kenyan sound of this time is rather difficult to define. It was an attractive, clean sound, both in the guitar playing and the singing. There was plenty of variety in the solo guitar playing whether in the form of repeated set instrumental passages, or improvised riffs and variations. Compared to the heavier intensity of contemporary Zairean groups, the Kenyan sound had a lighter ‘country’ feel. Nevertheless, this was a time of vigorous exploration and development for Kenyan music.Kenyan musicians were consciously struggling to develop a truly national music and at their best produced dynamic, original and very exciting dance tunes. One of the best examples is ‘Western Shilo’ by Daudi Kabaka, playing and singing with George Agade, and, incidentally, using finger-styles. Both these men are Luhya and ‘shilo’ is a Luhya dance rhythm. ‘Western Shilo’ therefore incorporates a traditional rhythm, in triple time, into a modern guitar idiom: the song, with wonderful melody, tension and drive, was a great hit, and very popular with dancers. Kabaka made a point of telling me how proud he was that he was able to draw on the musical traditions of his people in developing a music with national appeal....<br />
<br />
<i>John Low -1982<span class="st"> </span></i><br />
<i><span class="st"> A History of Kenyan Guitar Music 1945-1980</span></i><br />
<i><span class="st"><br /></span></i>
<br />
<br />
<h3 class="group">
<span style="font-weight: normal;"><a href="http://www110.zippyshare.com/v/SMZqrAYM/file.html" target="_blank">The Sound</a></span></h3>
<div class="group">
</div>
<table class="playlist" itemscope="" itemtype="http://schema.org/MusicGroup"><tbody>
<tr class="first tracklist_track track" data-track-position="A1" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>W. John Ondolo</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Kerena</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="A2" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>Unknown</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Thum Nyatiti Solo</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="A3" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>Dick Ngoye</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Elias Odede</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="A4" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>Francis Macharia</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Wanjiru Wanjiru</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="A5" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>Unknown</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Chemirocha</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="A6" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>Herbert Misango</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Wazee Wa Kisa</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="A7" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>Wiliamu Osale</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Vijana Niambie</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="A8" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>Humphrey Eshitool</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Safari Kibosho</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="B1" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>Daudi Kabaka</i><br />
<i> & George Agade</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Western Shilo</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="B2" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>John Mwale</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Shirikisho La Afrika</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="B3" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>Fadhili William</i><br />
<i> & The Black Shadows </i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Malaika</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="B4" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>Peter Tsotsi </i><br />
<i>& Nashil Pichen</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Mulofwa Mmoja</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="B5" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i>Jim Lasco</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Baba Kumbuka</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="B6" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i> Jim Lasco</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Wanajiita Sisi Wahumi</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="B7" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i> Isaya Mwinamo</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Ukosefu Wa Kazi</span></i></td>
<td class="tracklist_track_duration" width="25">
<br />
</td>
</tr>
<tr class=" tracklist_track track" data-track-position="B8" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos"><br /></td>
<td class="tracklist_track_artists"><i><span class="tracklist_content_multi_artist_dash"> </span>Isaya Mwinamo</i></td>
<td class="track tracklist_track_title mini_playlist_track_has_artist"><i><span class="tracklist_track_title" itemprop="name">Lipa Kodi Ya City Council</span></i></td></tr>
</tbody></table>
<br />naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com2tag:blogger.com,1999:blog-239817980131006947.post-17480616093208503092017-11-21T09:50:00.001-08:002020-02-13T03:49:18.910-08:00Luo Roots - musical currents from western Kenya<div>
</div>
<div>
</div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ0nsShRnJp6zxc6aq10bOJ7ZVqMi4_qv2Zin-TPGuyclm4ENnMrZbMVq8HxT1RvH3y5a6BQDFZ5__ixsdnXYpqfjBhNldqT0D-WLcbdp8l4ev-G1100dzy0TZ7E1jHFadG0APxJHI1rA/s1600/Luo+Roots1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ0nsShRnJp6zxc6aq10bOJ7ZVqMi4_qv2Zin-TPGuyclm4ENnMrZbMVq8HxT1RvH3y5a6BQDFZ5__ixsdnXYpqfjBhNldqT0D-WLcbdp8l4ev-G1100dzy0TZ7E1jHFadG0APxJHI1rA/s320/Luo+Roots1.jpg" width="320" /></a></div>
<br />
neo-traditional <a href="https://en.wikipedia.org/wiki/Benga_music" target="_blank">Benga</a> collection from the early nineties<br />
focusing on Kapere Jazz Band and their collaborations with the nyatiti legend Ogwang Lelo K' Okoth<br />
<span class="st">and with </span><span class="st">Paddy J Onono under the name of </span>Orchestra Nyanza Success<br />
a certain success... <br />
<br />
<span style="color: orange;"><i>Kapere Jazz Band</i></span> : William Owidi Jakapere, orutu (vièle), singer </div>
<div>
Polycap Otieno Ofuo, ogengo, singer</div>
<div>
Nathaniel Ohindo, ariaga (bottle of Fanta), singer</div>
<div>
John Ouma, nyangile, singer</div>
<div>
Michael Owiti, singer.<br />
<span style="color: orange;"><i>Orchestra Nyanza Success</i> </span>: Paddy J Onono, guitare, singer</div>
<div>
William Owidi "Jakapere", orutu ; John Ouma, nyangi le.<span class="st"><i> </i></span><br />
<span class="st"><span style="color: orange;"><i>Ogwang Lelo K' Okoth</i></span> : Nyatiti</span><br />
<br />
<b>01</b>-<span class="Apple-style-span" style="color: #ff6600;">Kapere Jazz Band</span>-<span class="Apple-style-span" style="color: #cc0000;">Jadiyana Mageno</span></div>
<div>
<b>02</b>-<span class="Apple-style-span" style="color: #ff6600;">Ogwang Lelo Okoth</span>-<span class="Apple-style-span" style="color: #cc0000;">Jacob Omolo</span></div>
<div>
<b>03</b>-<span class="Apple-style-span" style="color: #ff6600;">Kapere Jazz Band</span>-<span class="Apple-style-span" style="color: #cc0000;">Nath Oindo</span></div>
<div>
<b>04</b>-<span class="Apple-style-span" style="color: #ff6600;">Kapere Jazz Band</span>-<span class="Apple-style-span" style="color: #cc0000;">Lando Nyajomere</span></div>
<div>
<b>05</b>-<span class="Apple-style-span" style="color: #ff6600;">Kapere Jazz Band</span>-<span class="Apple-style-span" style="color: #cc0000;">Amagy Lando</span></div>
<div>
<b>06</b>-<span class="Apple-style-span" style="color: #ff6600;">Kapere Jazz Band</span>-<span class="Apple-style-span" style="color: #cc0000;">Tuni Nyamwalo </span></div>
<div>
<b>07</b>-<span class="Apple-style-span" style="color: #ff6600;">Ogwang Lelo Okoth</span>-<span class="Apple-style-span" style="color: #cc0000;">John Wanga</span></div>
<div>
<b>08</b>-<span class="Apple-style-span" style="color: #ff6600;">Kapere Jazz Band</span>-<span class="Apple-style-span" style="color: #cc0000;">Samwel Adina</span></div>
<div>
<b>09</b>-<span class="Apple-style-span" style="color: #ff6600;">Kapere Jazz Band</span>-<span class="Apple-style-span" style="color: #cc0000;">Amisi Jamoko </span></div>
<div>
<b>10</b>-<span class="Apple-style-span" style="color: #ff6600;">Kapere Jazz Band</span>-<span class="Apple-style-span" style="color: #cc0000;">Akinyi Nyagi Essy</span></div>
<div>
<b>11</b>-<span class="Apple-style-span" style="color: #ff6600;">Paddy J Onono</span>-<span class="Apple-style-span" style="color: #cc0000;">Lynette</span></div>
<div>
<span class="Apple-style-span" style="color: #cc0000;"><br /></span>
<span class="Apple-style-span" style="color: #cc0000;"><br /></span>
<a href="https://www98.zippyshare.com/v/bgCNa1Tm/file.html"><span class="Apple-style-span" style="color: #cc0000;">Roots and <span style="color: #cc0000;">c</span>urrents</span></a><br />
<span class="Apple-style-span" style="color: #cc0000;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJo6pbQ1wFx3rargu_-o01zVgxaL4_dw0ekLO55sN2M4EdoqS4cqKMcNiIRKTm8lvX_IzVF5hy9kuhyphenhypheno10LUGQUS3e8KVwUnNTCHfOf3zx8ZPCHwo-pa_EcAvvGZj2A-vK04f6PfG1Gac/s1600/luoroots2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="298" data-original-width="523" height="182" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJo6pbQ1wFx3rargu_-o01zVgxaL4_dw0ekLO55sN2M4EdoqS4cqKMcNiIRKTm8lvX_IzVF5hy9kuhyphenhypheno10LUGQUS3e8KVwUnNTCHfOf3zx8ZPCHwo-pa_EcAvvGZj2A-vK04f6PfG1Gac/s320/luoroots2.jpg" width="320" /></a></div>
<span class="Apple-style-span" style="color: #cc0000;"><br /></span>
<span class="Apple-style-span" style="color: #cc0000;"><br /></span></div>
<div>
<br /></div>
naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com4tag:blogger.com,1999:blog-239817980131006947.post-48414834974262272972017-11-16T09:44:00.000-08:002017-11-16T09:44:44.109-08:00Lucas Wamiya<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5WKEg4KMBeOrR9j8gnoDbTROnjJQ-cRt9zKs76vvtHo12AOkR6Nwh2TmyeqwlmsaRtU73b32WFHEcKuqQkH2e2JgJ2nl3PnyraFvc5G15RJLb6CA7tScZIsQzfeqHyY2I88f_61YliiI/s1600/as1x.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="536" data-original-width="596" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5WKEg4KMBeOrR9j8gnoDbTROnjJQ-cRt9zKs76vvtHo12AOkR6Nwh2TmyeqwlmsaRtU73b32WFHEcKuqQkH2e2JgJ2nl3PnyraFvc5G15RJLb6CA7tScZIsQzfeqHyY2I88f_61YliiI/s400/as1x.jpg" width="400" /></a></div>
<br />
Pure Luo <a href="https://en.wikipedia.org/wiki/Nyatiti" target="_blank">nyatiti </a><br />
from Lucas Wamiya<br />
for the next 32 joyful minutes<br />
<br />
<br />
<br />
<div style="text-align: center;">
<a href="http://www28.zippyshare.com/v/76zgPcaU/file.html" target="_blank">Songs of praise</a></div>
naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com1tag:blogger.com,1999:blog-239817980131006947.post-79261475593339680792017-11-04T07:19:00.000-07:002017-11-04T07:19:16.699-07:00Hukwe Ubi Zawose & Werema Masiaga Chacha<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzRZpf_i5dBctCKTgOxm6y8iOqMRXnnXm_o8Ho0-IxGbRRVuztd8uikYbJN7ISSpAGpT7W-A5IDLEeWpemJU9NzMjkfuFVOQVUkt4NFkmrgWc_isYNYXhyl39d3VabCfZC5WgYwb4-qeI/s1600/zawoseb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1020" data-original-width="625" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzRZpf_i5dBctCKTgOxm6y8iOqMRXnnXm_o8Ho0-IxGbRRVuztd8uikYbJN7ISSpAGpT7W-A5IDLEeWpemJU9NzMjkfuFVOQVUkt4NFkmrgWc_isYNYXhyl39d3VabCfZC5WgYwb4-qeI/s640/zawoseb.jpg" width="392" /></a></div>
<br />
<i><br /></i>
<i>That voice still twists and ululates and induces tears in listeners;</i><br />
<i> it is still tragic and hopeful all at once;</i><br />
<i> it is still the voice of 120 Tanzanian tribes,</i><br />
<i> uniting into one living, breathing whole. </i><br />
<br />
<i> <span style="font-size: x-small;">Matt Ozga</span></i><br />
<br />
<a href="http://www.bagamoyo.com/464.html" target="_blank">Hukwe Ubi Zawose</a><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6S7c6pDvuM5ti9jQ8132LlhQdo67oGAD6smMwjjjloV3ZxE2bufK0arVGJXI0ENr781wWb9a1RU7mYcvTTjXH6nX2NjZjtbIzkSICZsM747vEhFXkwvsRByYXZOihPialjmvH_K455AI/s1600/Werema+Masiaga+Chacha.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="463" data-original-width="600" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6S7c6pDvuM5ti9jQ8132LlhQdo67oGAD6smMwjjjloV3ZxE2bufK0arVGJXI0ENr781wWb9a1RU7mYcvTTjXH6nX2NjZjtbIzkSICZsM747vEhFXkwvsRByYXZOihPialjmvH_K455AI/s400/Werema+Masiaga+Chacha.jpg" width="400" /></a></div>
and<br />
Werema Masiaga Chacha<br />
<br />
in<br />
<a href="http://www42.zippyshare.com/v/cRebRQDl/file.html" target="_blank"> Wagogo and Kuria Songs</a><br />
<br />
<div style="text-align: center;">
<span style="color: #6fa8dc;">Come my child and listen to me well.</span><br />
<span style="color: #6fa8dc;">Oh, let’s go together through the whole world,</span><br />
<span style="color: #6fa8dc;">Oh, let’s go together everywhere in Africa</span><br />
<span style="color: #6fa8dc;"> Let’s all follow light and peace together</span></div>
<div style="text-align: center;">
<span style="color: #6fa8dc;">Dunia </span><br />
<br />
<br />
<br />
<span style="color: #6fa8dc;"> </span></div>
naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com3tag:blogger.com,1999:blog-239817980131006947.post-41495334900318828932017-11-02T09:54:00.001-07:002017-11-02T09:54:41.551-07:00Chants Wagogo 1<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrKganMQLeVOsviKhV7i65XRMlhWi6K6YKciZXz62vbDHjxQ-P6tHM00mt-n876qbbdRnTkzF69UeTYS5AMA2JUY1iepg6h9RqlvhqkynDkeP-AzbwUmirhwPj181vPHVCttVwkrB7snc/s1600/Children++Wagogo.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="435" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrKganMQLeVOsviKhV7i65XRMlhWi6K6YKciZXz62vbDHjxQ-P6tHM00mt-n876qbbdRnTkzF69UeTYS5AMA2JUY1iepg6h9RqlvhqkynDkeP-AzbwUmirhwPj181vPHVCttVwkrB7snc/s400/Children++Wagogo.jpg" width="288" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /></td></tr>
</tbody></table>
<div style="text-align: right;">
<a href="https://en.wikipedia.org/wiki/Gogo_people" target="_blank">Wagogo</a></div>
<br />
<br />
<br />
<iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/95286499&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe>
<br />
<br />
<br />
<a href="https://www.airsplace.ca/sites/default/files/mapana-3.pdf" target="_blank"><i>songs of the Wagogo children pdf</i></a><br />
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span class="st"><i> </i></span><img border="0" data-original-height="409" data-original-width="420" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtCcrZ0wsj_dSa_i_eT9_Xx_VmiAsw06jccvgpg9x5_gP-ruOP-rD9OAN42e3RNpsvD20VMai8RVYVjsPqDnSYmg-HUZpkqo2_10TRhxuWcPi1iHxvncU_Qp4TIULNxlvZ8S0_XNgSne0/s320/3f7.jpg" width="320" /></div>
<a href="http://www21.zippyshare.com/v/tUPxpewt/file.html" target="_blank">Chants </a><br />
<br />
<br />
<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube-nocookie.com/embed/Ft_kzjp8Zsk?rel=0" width="560"></iframe>
naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com3tag:blogger.com,1999:blog-239817980131006947.post-22327985088371955162017-01-23T08:52:00.000-08:002017-01-23T08:52:51.132-08:00Les Frères Cissé<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLFfraUtit8EUILQc7eoqCxDsroE-t0pjAz-lkQQsNRz17_tqAUkjC0FVIVzj9uRVnVIES0q5-4bn4s5LXMyCIUYXIBJ6obURDCEhZBHV9MkvlYjQTz3JVMykpNuWUAYbLK5Fy5SY1rRw/s1600/Les-freresas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="327" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLFfraUtit8EUILQc7eoqCxDsroE-t0pjAz-lkQQsNRz17_tqAUkjC0FVIVzj9uRVnVIES0q5-4bn4s5LXMyCIUYXIBJ6obURDCEhZBHV9MkvlYjQTz3JVMykpNuWUAYbLK5Fy5SY1rRw/s400/Les-freresas.jpg" width="400" /></a></div>
<br />
our annual dose of the always amazing <br />
Frères Cissé<br />
<br />
<br />
<a href="http://www15.zippyshare.com/v/TVEfh3Dr/file.html"> Festival</a><br />
<br />
check also <a href="http://freedomspear.blogspot.com/2013/01/moussa-abdoulaye-et-diadie-abdoulaye.html">here</a> and <a href="http://freedomspear.blogspot.com/2013/12/moussa-abdoulaye-diadie-abdoulaye.html">here </a>naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com9tag:blogger.com,1999:blog-239817980131006947.post-25207572077142903712017-01-18T08:36:00.000-08:002017-01-18T08:36:48.261-08:00Molobaly Traoré<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFw3KLGYBtJlsxKnRZY2H1MpxBd-228LIqx7-pMll-EDtTO8QRZl9YZOfgRyYMPNWP0lHAVfF-GFHJeyzrqCNwtqM8NVgeE2b98G4FUiGDo05YmxiPqnlxmiabcGkt5Fl8rmMaaJWP5zo/s1600/molobaly+1a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFw3KLGYBtJlsxKnRZY2H1MpxBd-228LIqx7-pMll-EDtTO8QRZl9YZOfgRyYMPNWP0lHAVfF-GFHJeyzrqCNwtqM8NVgeE2b98G4FUiGDo05YmxiPqnlxmiabcGkt5Fl8rmMaaJWP5zo/s400/molobaly+1a.jpg" width="286" /></a></div>
<br />
<div style="text-align: center;">
Child of Macina and <a href="http://malijet.com/actualite_musicale_malienne/17766-le_monde_des_artistes_en_deuil_molobaly_traor_emport_e_par_la_ty.html">high priestess</a> of the Niono <a href="https://en.wikipedia.org/wiki/Cercles_of_Mali">cercle</a></div>
<div style="text-align: center;">
she will always be remembered over Mali and beyond </div>
<div style="text-align: center;">
as the singer of the farmers,the humble laborers of the land</div>
<div style="text-align: center;">
who know well that soil and water are more precious than oil and gold.</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHtuEbkMsi-OMl89a9DCgO1NElkDob299jiIv_HGFDiUaSfTTQVc0hS1WMqAJvb6h1jljowiK3gMlkpOmb7cL38ARtRSSTKivo-r9xLuvsY5Kw6yXCPRJ8tS1qMUvGqephz3GOJQ3OiC4/s1600/niono.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHtuEbkMsi-OMl89a9DCgO1NElkDob299jiIv_HGFDiUaSfTTQVc0hS1WMqAJvb6h1jljowiK3gMlkpOmb7cL38ARtRSSTKivo-r9xLuvsY5Kw6yXCPRJ8tS1qMUvGqephz3GOJQ3OiC4/s400/niono.jpg" width="325" /></a></div>
<br /></div>
<div style="text-align: center;">
<a href="http://www104.zippyshare.com/v/bQNvXUWU/file.html">volume 2</a></div>
<div style="text-align: center;">
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7uq-HBndS1PtcEejQvugs_lyPwoV0mE54DktCfwo5cY4-8Khux35JpAuk5ELYi3ThscUl9TFTEEP4Em3HqCzvaRJkQ3HVU10OeZJ2qx44Sf_6dGFgl8JKzcWekmNGygZAtn1eV8qH5Tk/s1600/1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="149" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7uq-HBndS1PtcEejQvugs_lyPwoV0mE54DktCfwo5cY4-8Khux35JpAuk5ELYi3ThscUl9TFTEEP4Em3HqCzvaRJkQ3HVU10OeZJ2qx44Sf_6dGFgl8JKzcWekmNGygZAtn1eV8qH5Tk/s320/1.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkEgWyq6lMF5W7j4l90v08-ndovfU2mmklj9AYaMwTLpvVIkmQN8i1u9Wz6r4wGHab8lM7W1UuKgpspg0XGGyYKdOa53HbuhT173ggqQqgjWYQjXgRdnSiB8eAoMe3eCTe8ZMSrwG2lo4/s1600/a1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkEgWyq6lMF5W7j4l90v08-ndovfU2mmklj9AYaMwTLpvVIkmQN8i1u9Wz6r4wGHab8lM7W1UuKgpspg0XGGyYKdOa53HbuhT173ggqQqgjWYQjXgRdnSiB8eAoMe3eCTe8ZMSrwG2lo4/s320/a1.jpg" width="320" /></a></div>
<div style="text-align: center;">
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<br /></div>
naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com1tag:blogger.com,1999:blog-239817980131006947.post-4798648451953160702016-12-30T07:48:00.000-08:002016-12-30T07:49:05.252-08:00Fernando Sofia Rosa<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5dDDrus-Nn6popKJ7wRSDnFRppFlntga3_tNERqVkVrrFFjv7gnV6IavddBaId7ERFPwm-oEjOqXo1iWmKK9H24juQXa_A42lCjvaI_kOFupKLnyeFPbClr5kj-mPOWFhnwyRan3PIf8/s1600/sofia+rosa+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5dDDrus-Nn6popKJ7wRSDnFRppFlntga3_tNERqVkVrrFFjv7gnV6IavddBaId7ERFPwm-oEjOqXo1iWmKK9H24juQXa_A42lCjvaI_kOFupKLnyeFPbClr5kj-mPOWFhnwyRan3PIf8/s400/sofia+rosa+.jpg" width="265" /></a></div>
<span class="" id="result_box" lang="en"><span title="As canções de Sofia Rosa abordam, fundamentalmente, a beleza da mulher, saudade, petição a Deus, criminalidade, e conflitualidades sociais do quotidiano dos musseques.
"><br /></span></span>Son of Elisio Sofia Rosa and Marquinha Rosa, Fernando Sofia Rosa was born in Ambriz, Bengo province, and lived in Samba neighborhood in Luanda. In 1963, he joined the Ngongo Theatrical group, founded by José de Oliveira Fontes Pereira. With the group participated in a tour to Portugal, where they recorded a program for television.The recordings of Sofia Rosa, started in 1970 for the label of Valentim de Carvalho, and he was accompanied by the ensembles "Os Corvos", "Os Astros" and "Ngoma jazz".<br />
<span class="" id="result_box" lang="en"><span class="">Sofia Rosa was
one of the best creators and interpreters of music in the Kimbundu
national language, translating the pulse of poor people's life , into song.</span></span> The songs of Sofia Rosa fundamentally address<br />
female beauty ,
homesickness, God, criminality, and social conflicts of the everyday
life of the musseques.<br />
He moved to Lobito in 1973. When in November 1975 the Unita forces took
the town, Sofia Rosa, who had never concealed his sympathies for the
MPLA, was murdered, probably by Savimbi's troups.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5gPxuAPHHLnWu9bvojA9LSPFhg5KUQMQtEVMYvBJuhyutKqXkLj-XXgeyAwuXftDuE7HG0EFpLhW391Xgig10ZkivG-JP5JJ5tWWUN9dyzg_IpawrmeC8KWEWYpjqNb7JBE15-rNQjlE/s1600/Mem%25C3%25B3rias+Sofia+Rosa+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5gPxuAPHHLnWu9bvojA9LSPFhg5KUQMQtEVMYvBJuhyutKqXkLj-XXgeyAwuXftDuE7HG0EFpLhW391Xgig10ZkivG-JP5JJ5tWWUN9dyzg_IpawrmeC8KWEWYpjqNb7JBE15-rNQjlE/s320/Mem%25C3%25B3rias+Sofia+Rosa+.jpg" width="320" /></a></div>
<br />
A significant part of the work of Sofia Rosa was reissued on the cd "Memórias" in 2006, an edition of the program "Poeira no Quintal", of the National Radio of Angola,that brings together his songs: "Ngala Ny Gienda", "Ngolo Binga Kuá Nzambi "" Maria Di Pambala "," Ngala Ny Nela Ya Xiquelela "," Issuma "," Kamba Uaia ", accompanied by the ensemble" Os Corvos "," Muku Tunda "and" Longo Long Logiami "with Ngoma Jazz. Finally, the recordings of "Kalumba", "Nguexile Mutunda Mu Sambila", "Kumulundo", "Imbua iolo Boza", "Makuanhadi ya mivu" and "Manhinga mami" had "Os Astros", as accompanying support. <br />
<br />
<div style="text-align: center;">
<a href="http://www113.zippyshare.com/v/hJrPFQOU/file.html">Memórias</a></div>
naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com1tag:blogger.com,1999:blog-239817980131006947.post-3416485198990847792016-12-28T10:24:00.000-08:002016-12-28T10:40:09.204-08:00monangambé<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNpWdNbkRGh3NMaqhJqqK0Na0NyA91Dj7cAHFMo7S4pI5NGRaYuQTiRBC-b46u78rebTmEhHeyYdyAQs_fiZqVQopSVcP7E5pCpoOJYxjtRaMP1mL6_ibS9a6ThS_zeRU0Ytmg0cw7HW4/s1600/Ruy+Mingas+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNpWdNbkRGh3NMaqhJqqK0Na0NyA91Dj7cAHFMo7S4pI5NGRaYuQTiRBC-b46u78rebTmEhHeyYdyAQs_fiZqVQopSVcP7E5pCpoOJYxjtRaMP1mL6_ibS9a6ThS_zeRU0Ytmg0cw7HW4/s400/Ruy+Mingas+.jpg" width="397" /></a></div>
<br />
<span style="font-family: "times" , "times new roman" , serif;"><i><span style="font-size: large;"><a href="http://www22.zippyshare.com/v/kYbtL9LL/file.html">monangambé </a></span></i></span><br />
<br />
<br />
Naquela roça grande<br />
não tem chuva<br />
é o suor do meu rosto<br />
que rega as plantações;<br />
Naquela roça grande<br />
tem café maduro<br />
e aquele vermelho-cereja<br />
são gotas do meu sangue<br />
feitas seiva.<br />
O café vai ser torrado<br />
pisado, torturado,<br />
vai ficar negro,<br />
negro da cor do contratado.<br />
Negro da cor do contratado!<br />
Perguntem às aves que cantam,<br />
aos regatos de alegre serpentear<br />
e ao vento forte do sertão:<br />
Quem se levanta cedo?<br />
quem vai à tonga?<br />
Quem traz pela estrada longa<br />
a tipóia ou o cacho de dendém?<br />
Quem capina e em paga recebe desdém<br />
fuba podre, peixe podre,<br />
panos ruins, cinquenta angolares <br />
"porrada se refilares"?<br />
Quem?<br />
Quem faz o milho crescer<br />
e os laranjais florescer?<br />
- Quem?<br />
Quem dá dinheiro para o patrão comprar<br />
máquinas, carros, senhoras<br />
e cabeças de pretos para os motores? <br />
Quem faz o branco prosperar,<br />
ter barriga grande<br />
- ter dinheiro?<br />
- Quem?<br />
E as aves que cantam,<br />
os regatos de alegre serpentear<br />
e o vento forte do sertão<br />
responderão:<br />
"Monangambééé..." <br />
<br />
Ah! Deixem-me ao menos subir às palmeiras<br />
Deixem-me beber maruvo<br />
e esquecer diluído<br />
nas minhas bebedeiras<br />
<br />
"Monangambéé...''<br />
<br />
<a href="https://en.wikipedia.org/wiki/Ant%C3%B3nio_Jacinto">António Jacinto</a> -Poemas, 1961<br />
<br />
<br />
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<br />
<span style="color: orange;"><i><a href="http://www34.zippyshare.com/v/L79GpAy7/file.html"><b>Muadiakimi/Birin Birin</b></a></i></span><br />
<br />
<br />
<span style="font-size: large;"><b><span class="st">quem tá gemendo</span> </b></span><span class="Text_Obra"></span><br />
<div style="text-align: center;">
Quem tá gemendo,
<br />
Negro ou carro de boi?
<br />
Carro de boi geme quando quer,
<br />
Negro, não,
<br />
Negro geme porque apanha,
<br />
Apanha pra não gemer...
<br />
<br />
Gemido de negro é cantiga,
<br />
Gemido de negro é poema...
<br />
<br />
Gemem na minh′alma,
<br />
A alma do Congo,
<br />
Da Niger, da Guiné,
<br />
De toda África enfim...
<br />
A alma da América...
<br />
A alma Universal...
<br />
<br />
Quem tá gemendo,
<br />
negro ou carro de boi?
</div>
<br />
<br />
<a href="https://pt.wikipedia.org/wiki/Solano_Trindade">Solano Trindade </a><br />
Poemas d'uma vida simples 1944<br />
<div style="text-align: right;">
<br /></div>
<div style="text-align: right;">
<br /></div>
<div style="text-align: right;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
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<br />
<h1 class="title">
<span style="font-size: large;"><span style="font-weight: normal;">adeus à hora da largada</span></span></h1>
<div class="content clearfix">
Minha mãe<br />
(todas as mãe negras<br />
cujos filhos partiram)<br />
tu me ensinaste a esperar<br />
como esperaste nas horas difíceis<br />
<br />
Mas a vida<br />
matou em mim essa mística esperança<br />
<br />
Eu já não espero<br />
sou aquele por quem se espera<br />
<br />
Sou eu minha Mãe<br />
a esperança somos nós <br />
os teus filhos<br />
partidos para uma fé que alimenta a vida<br />
<br />
Hoje<br />
somos as crianças nuas das sanzalas do mato<br />
os garotos sem escola a jogar a bola de trapos<br />
nos areias ao meio-dia<br />
somos nós mesmos<br />
os contratados a queimar vidas nos cafezais<br />
os homens negros ignorantes<br />
que devem respeitar o homem branco<br />
e temer o rico<br />
somos os teus filhos<br />
dos bairros de pretos<br />
além aonde não chega a luz eléctrica<br />
os homens bêbedos a cair <br />
abandonados ao ritmo dum batuque de morte <br />
teus filhos<br />
com fome<br />
com sede<br />
com vergonha de te chamarmos Mãe<br />
com medo de atravessar as ruas <br />
com medo dos homens<br />
nós mesmos<br />
<br />
Amanha<br />
entoaremos hinos à liberdade<br />
quando comemorarmos<br />
a data da abolição desta escravatura<br />
<br />
Nós vamos em busca de luz<br />
os teus filhos Mãe<br />
(todas as mães negras<br />
cujos filhos partiram)<br />
vão em busca de vida.</div>
<span class="Text_Obra"></span><br />
<div style="text-align: right;">
<a href="https://en.wikipedia.org/wiki/Agostinho_Neto">António Agostinho Neto</a><span style="font-size: xx-small;"><i> </i></span></div>
<div style="text-align: right;">
<span style="font-size: xx-small;"><i><br /></i></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnviktGA0cZRQNsqgOZbwIIvUXQ8LfOZM12OokTIxgrEyubbAQS22VmYKagusUv2Rowl9ks7MgkQiPvK9U64VW9Kf7Jq59tZ9JFtGDikjF54eLnqZFV-N7NL2_3oRgDZoR_ljk1hpWciI/s1600/poemaRM.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnviktGA0cZRQNsqgOZbwIIvUXQ8LfOZM12OokTIxgrEyubbAQS22VmYKagusUv2Rowl9ks7MgkQiPvK9U64VW9Kf7Jq59tZ9JFtGDikjF54eLnqZFV-N7NL2_3oRgDZoR_ljk1hpWciI/s320/poemaRM.jpg" width="320" /></a></div>
<span style="font-size: small;"><i><a href="http://www34.zippyshare.com/v/PtD1cYaK/file.html">Poema da Farra/Makesu</a></i></span><br />
<span style="font-size: xx-small;"><i><br /></i></span></div>
<div style="text-align: right;">
<span style="font-size: xx-small;"><i><br /></i></span>
<span style="font-size: xx-small;"><i><br /></i></span></div>
<div style="text-align: right;">
<br />
<span style="font-size: large;"><b>muimbo ua sabalu</b></span></div>
<div style="text-align: right;">
<br />
<br />
Mon'etu ua kassule <br />
Akutumissa ku San Tomé<br />
Mon'etu ua kassule<br />
Ua kutumissa ku San Tomé<br />
<br />
Kuexirié ni ma documentu<br />
Aiué, aiué<br />
Kuexirié ni ma documentu<br />
Aiué, aiué<br />
<br />
Mon'etu ua ririlé<br />
Mama ua sanukilé<br />
Mon'etu ua ririlé<br />
Mama ua sanukilé<br />
<br />
Aiué, aiué<br />
akutumissa ku San Tomé<br />
Aiué, aiué<br />
akutumissa ku San Tomé<br />
<br />
Mon'etu ua kassule<br />
akutumissa ku San Tomé<br />
Mon'etu ua kassule<br />
akutumissa ku San Tomé<br />
<br />
Kuexirié ni ma documentu<br />
Aiué, aiué<br />
Kuexirié ni ma documentu<br />
Aiué, aiué<br />
<br />
Mon'etu uai kia<br />
Uai imu pulaia<br />
Mon'etu uai kia<br />
Uai imu pulaia<br />
<br />
Aiué, aiué<br />
akutumissa ku San Tomé<br />
Aiué, aiué<br />
akutumissa ku San Tomé<br />
<br />
Mon'etu ua kassule<br />
akutumissa ku San Tomé<br />
Mon'etu ua kassule<br />
akutumissa ku San Tomé<br />
<br />
Kuexirié ni ma documentu<br />
Aiué, aiué<br />
Kuexirié ni ma documentu<br />
Aiué, aiué<br />
<br />
Mon'etu ua dirilé<br />
Mama ua salukilé<br />
Mon'etu ua dirilé<br />
Mama ua salukilé<br />
<br />
Aiué, aiué<br />
akutumissa ku San Tomé<br />
Aiué, aiué<br />
akutumissa ku San Tomé<br />
<br />
Mon'etu ua kassule<br />
akutumissa ku San Tomé<br />
Mon'etu ua kassule<br />
akutumissa ku San Tomé<br />
<br />
Kuexidié ni ma documentu<br />
Aiué, aiué<br />
Kuexidié ni ma documentu<br />
Aiué, aiué<br />
<br />
Mon'etu uai kia<br />
Uai imu pulaia<br />
Mon'etu uai kia<br />
Uai imu pulaia<br />
<br />
Aiué, aiué<br />
Ua kutumissa ku San Tomé<br />
Aiué, aiué<br />
Ua kutumissa ku San Tomé<br />
Aiué, aiué<br />
Ua kutumissa ku San Tomé<br />
Aiué, aiué<br />
Ua kutumissa ku San Tomé<br />
Aiué, aiué, aiué<br />
Ua kutumissa ku San Tomé<br />
-----<br />
(Nosso filho caçula<br />
Mandaram-no pra S. Tomé<br />
Não tinha documentos<br />
Aiué!<br />
(Nosso filho chorou<br />
Mamã enlouqueceu<br />
Aiué!<br />
<br />
Mandaram-no pra S. Tomé<br />
Nosso filho partiu<br />
Partiu no porão deles<br />
Aiué!<br />
<br />
Mandaram-no pra S. Tomé<br />
Cortaram-lhe os cabelos<br />
Não puderam amarrá-lo<br />
Aiué!</div>
<div style="text-align: right;">
<br />
Mandaram-no pra S. Tomé<br />
Nosso filho está a pensar<br />
Na sua terra, na sua casa<br />
Mandaram-no trabalhar<br />
Estão a mirá-lo, a mirá-lo<br />
—Mamã, ele há-de voltar<br />
Ah! A nossa sorte há-de virar<br />
Aiué!<br />
<br />
Mandaram-no pra S. Tomé<br />
Nosso filho não voltou<br />
A morte levou-o<br />
Aiué!)</div>
<div style="text-align: right;">
<br />
<a href="http://vilamorena.podomatic.com/player/web/2010-04-20T19_00_38-07_00"></a></div>
<div style="text-align: right;">
<a href="https://en.wikipedia.org/wiki/M%C3%A1rio_Pinto_de_Andrade">Mário Pinto de Andrade </a><br />
<a href="http://vilamorena.podomatic.com/player/web/2010-04-20T19_00_38-07_00"></a></div>
naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com1tag:blogger.com,1999:blog-239817980131006947.post-86576405763657662452016-12-25T01:35:00.002-08:002016-12-25T01:39:07.419-08:00Carlos Lamartine<br />
<br />
<div class="separator" style="clear: both; text-align: right;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguSYktVCdS1RWegWG1krMXvjF5M_oC2PMLoNVmjD3StnA-Tcyr4F7toFHOraoRZx3cGPm805Ee5ok-u9vtevNmuQTKcgESmqfXo5-_UrDITLm3rnFgCxHQbFm6huI6lT7j1KYHOLNuUo8/s1600/Carlos+Lamartine.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguSYktVCdS1RWegWG1krMXvjF5M_oC2PMLoNVmjD3StnA-Tcyr4F7toFHOraoRZx3cGPm805Ee5ok-u9vtevNmuQTKcgESmqfXo5-_UrDITLm3rnFgCxHQbFm6huI6lT7j1KYHOLNuUo8/s640/Carlos+Lamartine.jpg" width="640" /></a></div>
<br />
<span style="color: orange;"><a href="https://carloslamartine.bandcamp.com/album/hist-rias-da-casa-velha"><b>Histórias da Casa Velha</b></a></span> is a collection of songs released in Angola,<br />
mainly during the years leading to independence in 1975.<br />
In the 1960s and 1970s, Carlos Lamartine was one of the leading voices<br />
in the struggle against the Portuguese and this collection highlights the difficulties and victories of the liberation movements he was a part of.<br />
This collection reflects the originality and rhythmic diversity of Angolan music,<br />
as well as its social and political roots in pre-independence Angola. Behind every one <br />
of these songs, there is a tragedy, and the tacit acceptance of a troubled history.<br />
But beyond traditional fatalism, these songs also display hope and Angola's then continuous fight<br />
for freedom.<br />
<br />
<br />
<br />
<br />
<br />
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=3279322996/size=large/bgcol=333333/linkcol=e99708/tracklist=false/transparent=true/" style="border: 0; height: 470px; width: 350px;"><a href="http://carloslamartine.bandcamp.com/album/hist-rias-da-casa-velha">Histórias da Casa Velha by Carlos Lamartine</a></iframe>
<iframe allowfullscreen="" frameborder="0" height="360" src="https://www.youtube-nocookie.com/embed/Qrfa_mnD3Zw?rel=0" width="640"></iframe>naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com0tag:blogger.com,1999:blog-239817980131006947.post-65056726241519101522016-12-24T12:42:00.000-08:002016-12-24T12:42:57.746-08:00a gift from Angola<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
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</div>
<br />
<i>In the mid 1950s, the band Ngola Ritmos performed at the Teatro Nacional
(National Theater) in Luanda’s baixa. The venue’s name referred, of
course, to the Portuguese that nation embraced Angola as an overseas
territory. This was not custodial colonialism but fierce possession
dressed up in lusotropicalist discourse. Angolan ‘folklore,’ which Ngola Ritmos
represented, served to encapsulate and perform difference, making
quaint what was potentially explosive cultural difference. The
Portuguese nation would subsume Angolan specificity in a demonstration
of the Portuguese skill at adapting to the tropics. Yet when Ngola
Ritmos sang that night at the Teatro Nacional the emcee re-inscribed the
divide between musseque and baixa, African and Portuguese, thus
disrobing the lusotropicalist fantasy. </i><br />
<br />
<a href="http://www.buala.org/en/stages/music-and-lusotropicalism-in-late-colonial-luanda">continue....</a><br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5ykFfTYXVaqzqs7lNUxcT_SGbGpzxM38ncnFAxLcOZ0N5pwnDgHjh8fCnysAMpGo2OZhdJ2vVQHe-roCmC2eX7p4HrRsjazWf23bxGpbPJYzH36JsiEENTunwPI6pKuSpMDlkivHwCvI/s1600/ngolaritmos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="197" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5ykFfTYXVaqzqs7lNUxcT_SGbGpzxM38ncnFAxLcOZ0N5pwnDgHjh8fCnysAMpGo2OZhdJ2vVQHe-roCmC2eX7p4HrRsjazWf23bxGpbPJYzH36JsiEENTunwPI6pKuSpMDlkivHwCvI/s400/ngolaritmos.jpg" width="400" /></a></div>
<br />
<div style="text-align: center;">
1-Ngola Ritmos - Muxima <br />
2-Ngola Ritmos - Django Ué <br />
3-San Salvador - Enzol’eyaya <br />
4 -Kaboko Meu - Na rua de São Paulo <br />
5-União Mundo - Amanhã vamos à procura da chave <br />
6-Mestre Geraldo Morgado - Mini saia <br />
7-Minguito - Sant’Ana <br />
8-Ngola Ritmos - Nzage <br />
9-Duo Ouro Negro - Kurikutela <br />
10-Sara Chaves - Kurikuté <br />
11-Elias Dia Kimuezo - Ressurrreição <br />
12-Lilly Tchumba - Paxi Ngongo <br />
13-Gingas - Lamento <br />
14-Luís Visconde - Chofer de Praça <br />
15-Quinteto Angolano - Kupassiala Kua Aba <br />
16-Dimba Dya Ngola - Fixe <br />
17-Os Kiezos - Rumba 70 <br />
18-Vum Vum - Muzangola <br />
19- José Viola - Oholwa <br />
20-Ruy Mingas - Monangambé <br />
21-Teta Lando - Mumpiozzo Ame<br />
<br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0PvunaKuKYXRHL-8mzvJcqYzasLofScJbCy2fgvPnxABirBuTnsS7D1MCEdZ5AdMLVv7JrHF2kvK8gDuaOHVdHj1NtePZL0xRUMkI7utrxMjWPnojjIToEwApwG-EreamKGT7otO1tS8/s1600/on.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0PvunaKuKYXRHL-8mzvJcqYzasLofScJbCy2fgvPnxABirBuTnsS7D1MCEdZ5AdMLVv7JrHF2kvK8gDuaOHVdHj1NtePZL0xRUMkI7utrxMjWPnojjIToEwApwG-EreamKGT7otO1tS8/s320/on.jpg" width="320" /></a></div>
<a href="http://www41.zippyshare.com/v/mfC7xFUa/file.html">1956-1970</a><br />
<br />
<br />
<span style="color: orange;">* </span></div>
naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com3tag:blogger.com,1999:blog-239817980131006947.post-62031567647267637042016-12-16T09:16:00.002-08:002020-12-02T07:19:33.606-08:00Hamdun Habeet<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixwq_HkOeQcUSdW_SzWMqzDhGnNMR55wkTb_xhv5WFmOopwH667bI4dzs0EZmfUcU8GEHnXOWGG_wYyjWjW-jajtushG3QmDT8yHotsRo6dE090FJSeLVqWrJTHty3ox7upCUnAzMeQZQ/s1600/imx1.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixwq_HkOeQcUSdW_SzWMqzDhGnNMR55wkTb_xhv5WFmOopwH667bI4dzs0EZmfUcU8GEHnXOWGG_wYyjWjW-jajtushG3QmDT8yHotsRo6dE090FJSeLVqWrJTHty3ox7upCUnAzMeQZQ/s400/imx1.jpg" width="262" /></a></div>
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<br />
<br />
Hamdun Habeet comes from Yemen and was known to me from the same pile of yemeni tapes<br />
as <a href="http://freedomspear.blogspot.com/2012/12/fadal-al-kareedi.html">Fadal al Kareedi</a><br />
a master<span style="color: #0000ee;"><u> </u></span> oud player and a passionate singer <br />
and yet another revelation.<br />
no information whatsoever -and if you know anything more please share it with us-<br />
but for now it is the music that matters above all.<br />
<i>thanks to mushmir </i><br />
<br />
<div style="text-align: right;">
<a href="https://mega.nz/file/JGJhHCaA#GI9ZzEnlwZhxLC_MNl_ebf_dXwaBSstZ_ea5tfi1Fk4" target="_blank">min ilmi imzahan</a></div><a href="https://mega.nz/file/JGJhHCaA#GI9ZzEnlwZhxLC_MNl_ebf_dXwaBSstZ_ea5tfi1Fk4" target="_blank">
</a><br />
<br />
<br />
naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com6tag:blogger.com,1999:blog-239817980131006947.post-50523875942201791592016-12-08T06:22:00.000-08:002016-12-08T06:40:43.278-08:00A donso alone <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIMaUaF64dWr2R9Eoe4xgf7esW3xDcPjLf4GuLPAM7ejejNM0QEevI3NGkFSZuMz-NIXeIGiWTDGILys7zrDPM6WpqL3EeW9ohSLaXI8QUpKxwfIZSS3ev2B9jxMSuveJhI-l-T-CumW0/s1600/donsotraore.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIMaUaF64dWr2R9Eoe4xgf7esW3xDcPjLf4GuLPAM7ejejNM0QEevI3NGkFSZuMz-NIXeIGiWTDGILys7zrDPM6WpqL3EeW9ohSLaXI8QUpKxwfIZSS3ev2B9jxMSuveJhI-l-T-CumW0/s400/donsotraore.jpg" width="256" /></a></div>
<br />
<div style="text-align: center;">
a wonderful donso ngoni recording</div>
<div style="text-align: center;">
with Samba Traore at the controls from the distant 1999</div>
<div style="text-align: center;">
bare and essential</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="color: red;"><a href="http://www86.zippyshare.com/v/we2MpydO/file.html">*****</a></span></div>
naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com8tag:blogger.com,1999:blog-239817980131006947.post-76775388379442776322016-09-27T14:11:00.000-07:002016-09-27T14:11:13.162-07:00Mankunku forever<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicLwZXq3QiOOG7gBzyk_qcN0iBP2NwI76b5IhyphenhyphenVV_S79ek5PZCwIuaJ-zweRNZmxpGVY9fcFMW4JFETlCgsDwxtZsvjelSUb5f01xu-7kdG5EopSnOOhgNbL2KN-iDhb8Jr7s1udgtG0k/s1600/wmn1wmn.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicLwZXq3QiOOG7gBzyk_qcN0iBP2NwI76b5IhyphenhyphenVV_S79ek5PZCwIuaJ-zweRNZmxpGVY9fcFMW4JFETlCgsDwxtZsvjelSUb5f01xu-7kdG5EopSnOOhgNbL2KN-iDhb8Jr7s1udgtG0k/s640/wmn1wmn.jpg" width="411" /></a></div>
<br />
<br />
<a href="http://www74.zippyshare.com/v/IkrymkOR/file.html">Geirge & I</a><br />
<a href="http://www74.zippyshare.com/v/xeF3mc2D/file.html"><br /></a>
<a href="http://www74.zippyshare.com/v/xeF3mc2D/file.html">Molo Africa</a><br />
<br />
<br />
<span style="color: orange;"><i><a href="http://freedomspear.blogspot.com/2012/09/mankunku-yakhal-inkomo.html">and before</a></i></span><br />
<br />
<br />
* naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com16tag:blogger.com,1999:blog-239817980131006947.post-90065526528328022242016-07-01T14:11:00.000-07:002016-07-01T14:11:50.507-07:00Matemai Mbira Group<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3PAPFEA957ZjsL9xWWY-HOAhp5WwQgs2sNVlWZXjTC_C3t91sX57h3qX5tKEPhXf3uk7MDy1-PcmmrMzUOHURV-nxBQFsfTpqe_k35Q7DVJDHJrmsEeS4xxAqTKEdnQsreTfgc9X9Bk0/s1600/mmg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3PAPFEA957ZjsL9xWWY-HOAhp5WwQgs2sNVlWZXjTC_C3t91sX57h3qX5tKEPhXf3uk7MDy1-PcmmrMzUOHURV-nxBQFsfTpqe_k35Q7DVJDHJrmsEeS4xxAqTKEdnQsreTfgc9X9Bk0/s1600/mmg.jpg" /> </a></div>
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<a href="http://www69.zippyshare.com/v/ZB0sz2HQ/file.html">*****</a></div>
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<br /></div>
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<a href="https://matemai.bandcamp.com/">more</a></div>
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<br /></div>
<br />
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<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube-nocookie.com/embed/AZ-6sLQayW0?rel=0" width="560"></iframe>naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com2tag:blogger.com,1999:blog-239817980131006947.post-30746366349965209912016-06-24T15:12:00.001-07:002016-06-24T15:12:22.730-07:00Cheikha Tetma<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtix0J5pS7miguGUw11TwvOTI9J7oodAFLdOlVrXWu-GvOItoquzVMuWHyKFJsBEXu3oxF4Mz-KLsduGWw2xnwYqTZtNApfxFo57sX6izg4vYfHrA1XZUvWoferD2hQyONqRJaQk1Tdmw/s1600/chkhtetma.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtix0J5pS7miguGUw11TwvOTI9J7oodAFLdOlVrXWu-GvOItoquzVMuWHyKFJsBEXu3oxF4Mz-KLsduGWw2xnwYqTZtNApfxFo57sX6izg4vYfHrA1XZUvWoferD2hQyONqRJaQk1Tdmw/s400/chkhtetma.jpg" width="400" /></a></div>
<br />
<div style="text-align: center;">
<a href="https://fr.wikipedia.org/wiki/Cheikha_Tetma"><b>Cheikha Tetma</b></a></div>
<div style="text-align: center;">
<br />
<br /></div>
<div style="text-align: center;">
<b><a href="http://www.djazairess.com/fr/lqo/5150252"><span class="articletitle">Cheikha Tetma, la diva rebelle du hawzi</span></a></b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCFUsNMi-TH-Oxu5mRd2wZMzDsVDP-y6PXfDoeY6BIuBxmCwivAywpTzVjuYwzChI89m99sxDa3dvWZUheQeNhhHSGH87tUu1a7XXKdKE9ql35_Tgn1J9OjmFR2RCNEmngAkyE9Kq7I9Y/s1600/chtm1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCFUsNMi-TH-Oxu5mRd2wZMzDsVDP-y6PXfDoeY6BIuBxmCwivAywpTzVjuYwzChI89m99sxDa3dvWZUheQeNhhHSGH87tUu1a7XXKdKE9ql35_Tgn1J9OjmFR2RCNEmngAkyE9Kq7I9Y/s400/chtm1.jpg" width="400" /></a></div>
<br />
<br />
<a href="http://www72.zippyshare.com/v/eGCFRh9Q/file.html"><span class="articletitle">Ecole de Tlemcen </span></a><b><span class="articletitle"><br /></span></b><br />
<br />
<i><span class="articletitle">thank you Mi </span></i><b><span class="articletitle"><br /></span></b><br />
<b><span class="articletitle"> </span> </b></div>
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naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com3tag:blogger.com,1999:blog-239817980131006947.post-69850642240454610302016-06-02T14:05:00.000-07:002016-06-02T14:05:48.291-07:00la grande vedette Malienne<div class="separator" style="clear: both; text-align: center;">
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<a href="http://www31.zippyshare.com/v/wiwlsL8p/file.html">accompagnée à la cora par Batourou Sékou Kouyate</a></div>
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<a href="http://www.mali-pense.net/Miniyamba-de-Fanta-Damba.html"><span style="color: red;">* </span></a></div>
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<br />naumahttp://www.blogger.com/profile/16545941649267152712noreply@blogger.com1